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At the Window
for Patricia
Business can wait.
We merge
through our
voices'
vibrations
and my
affiliative
arm.
We gaze
incidentally,
our incurious
attentions engage
no passersby.
we spin
a conversational
cocoon, and
business can wait,
the sun can descend,
Jessica can again
despair
of our ever going
to the mall
today cuz
we're stuck
in our cocoon, cooling
our faces
at
the window,
softly,
softly
talking.
Copyright © 1991 – 2006 by Richard Bryant Reinertson
All rights reserved.
t o p o f p a g
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angel
you spoke to me
once
i know you did, i
have
the memory, and i
know it was you
now i see
shimmers
down the corridors
and they have
your hair and speak
with your voice.
you
pretend it isn’t
but i
know it was you
and i know
it was your smile
lingering
in the air as i
passed
but i
turned
and there was
only air but i
know it was you
and i felt
a hand on my
cheek as i
fell asleep, and
a whispered word:
love.
and there was
no one there yet i
know it was you
i know. and i’ll
see
you always
in the distance
always always
until darkness
falls
and you’ll say
that it isn’t, but
i’ll
know that it’s you
Copyright © 2003 – 2006 by Richard Bryant Reinertson
All rights reserved.
t o p o f p a g
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falling behind
sailing exhalings of nicotine breeze
shallowly drowning with shopping-mall ease
found
again lost again sighing in rhymes
falling behind it's a sign of the times
walking by windows of bloomingdale's dead
past
the cold kittens on hollywood's bed
fronting for cupid in soul-chilling crimes
falling behind it's a sign of the times
aching
for pasture but starving for green
crawling for favor while making the scene
earning the churning of methedrine minds
falling behind it's a sign of the times
choosing abusing for profit and seers
hemlock for warlocks with delphian tears
socrates dying in corporate climbs
falling behind it's a sign of the times
Copyright © 1987 –
2006
by Richard Bryant Reinertson
All rights reserved.
t o p o f p a g
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the play
All that we see or seem
Is but a dream within a dream.
Edgar Allan Poe
when the play is over
we emerge from immersion
in images of life
after the death scene
props fade into darkness
the audience is revealed
by the house lights
waxy faces flowing
into emotion
remembering
who we are
we exit
return to
reality
and resume
our accustomed
characters
in images of life
after the death scene
props fade into darkness
the audience is revealed
by the house lights
waxy faces flowing
into emotion
remembering
who we are
we exit
return to
reality
and resume
our accustomed
characters
when the play is over
we emerge from immersion
in images of life
Copyright © 1989 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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A
Projection
A word
is an unfortunate creature.
Unfortunate in cause
as well as effect,
in existence of itself
it is unfortunate.
You
see the color green.
(But what is green?
What indeed? is not the answer.
But any other is the answer of the moron,
the fool,
the bigot.
The damned.
Be damned.)
You
say to me, green,
and my
mind turns my own color green.
But is
my green your green?
(is black white?)
Can
you think to me, green?
(in despair you will find your comfort.)
Definition.
(more words.
A definition is an ambiguous circle
of redundance.)
And a
word is an incomplete thought.
Copyright © 1970 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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neither
the wonder
is in prior blindness
to the multitude
within, and
in blindness now
to
linking tendrils seen
so plainly
by so many
the quandary
is in how to
be
while
neither
here nor
there,
while one says
without that
the inner is the
real, yet
lies
within about
the outer, and
without
about
the inner
maybe then, i might be
broken
by unending
unreason
so then
is breaking
the cure for
blindness?
will confusion then
save me? or pain
from relentless
denial?
will salvation then
arrive before
my adversary
overtakes me? or will
this ship run aground—
its crew seeking
still
another craft
to continue this
journey?
Copyright © 2005 – 2006 by Richard Bryant Reinertson
All rights reserved.
t o p o f p a g
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narcotic pain
no light again
passes through these sooty
rooftops
the crows screech their anger
at the parched waste below
within the houses silence rages
within my heart a dry well
distant voices echo
trailing down
into darkness
dug deeply by design
even knowing maybe nothing
flows in the depths
hoping even
wondering
how much pain
before the walls collapse
I think now they maybe never will
already I’ve been so deep
seen already the final desolation
beyond tears or remorse
this narcotic pain
salvation
soothes my knotted back
how much deeper ‘til blackness
like a raven’s shadow surpasses
any earthly pitch
compressing my soul
like coal to a pinpoint star
that bursts at last to nova
brilliance
blazing with messianic vision
bought with an unpayable debt
Copyright © 1989
– 2006 by Richard Bryant Reinertson
All rights
reserved.
t o p o f p a g
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Contentment's Loss
In time of quaint and trifling lore,
Divine the greater cantor’s rhyme.
Demand a higher, priestly store;
Forsake insipid, temp’rate clime.
No longer wake to petty sleep—
No giant ever dreamt it so.
While lotus-eating spirits creep,
Wry demons leap and laugh below.
Too narrow is the tower stair
For one who dines on cakes and cream.
Too harsh and rare is mountain air
For one who dwells in tropic steam.
Surpass the bounds of Eden’s gate—
Our freedom’s seeds are fear and pain.
Disdain a desk lieutenant’s fate;
Contentment’s loss is heaven’s gain.
Copyright © 1984 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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gelatin jail
teeth reach
out
from under my gums
as a continual
reproach
from my imprisoned
skeleton
I feel its
relentless pressure
inside its gelatin jail
from my very
birth
my bones resolved
to stretch
and tear their way
to freedom
failing due to
withdrawal
of hormonal support
they now are entrenched
in a war of attrition
waiting for gravity
microbes
and
cosmic rays
to do the job
after life has
been pressed
from my veins
like juice
from an orange
leaving the rind
to rot
dry
and finally flake
away to
dust
my
naked skull
will stare
unblinking
my
jaw will fall open
to gape eternally
heavenward
my
bones will feel
the fetid air
for the first
time
free at last
Copyright © 1988 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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L A Night
The angels' city isn't dark at night;
the sky glows red with dim, reflected light.
Our brilliant stars are burning here below,
as ashes shadow heaven from our sight.
Copyright © 1986 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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Introspectus IV:
On Versifying and
Other Peculiar Diversions
I've made my home
in cavernous shade
above the vales
or staid below
and booked my bet:
myself to show
in a sequestrian
event
of unremitting
inconsequence
Copyright © 1987 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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Introspectus V:
Analysis of
Versification
I met my changeling
twin in childhood
Her eyes
the color of space
between the stars
set me afloat
in an ocean sometimes
rhythmic indigo
velvet swells
warm with yellowed parchment
light of an ancient
fading sun
cold chaotic sometimes
spray in pellets piercing
my skull
ceaseless arctic razor
winds fed by primal
horror
Her face was flaming
vapor, light and shadow
lines at eyes
and brow in currents
driven from depths of
myriad souls
Her drift through calm
and fury lured me
to follow
my limbs confined
in armor feebly
jerking
Finally lost I stripped
naked among the veiled
spirits
She turning came to gaze
on my despair and whispered
verses
which I have written
on this page you now
are reading
Copyright © 1987 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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Introspectus VI:
Simple Satin
mothball
indiscretions hung
behind simple satin,
casually
embroidered, recall strident orations
dying in subsequent whispers—
lost, one
might hope, to an arm-twisting grace
like a coveted nuptial
signaling the end of unquestioned whims,
but for
unremorseful fears lying
in
folds of misfortune
(just
deserts?) tucked away under
simple brocade arranged
just so—
the bending of
light for personal gain—
the illusory freedom resisting absolution,
defying the
final endearment bestowing
simple mastery
over ghosts of
past pretensions visited upon
inflexible, nearsighted,
(dare I say it?) prideful
intent
Copyright © 1987 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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again no
again the blossoms
shrivel
lifeless
the final passing
of desire
falls
withered
from the pistils
again
no bee alit to
sample
the offered germ
no breeze
ambled by to arouse
the sleepers
in the open bedchamber
no womb
was fulfilled
no fruit
ripened to vigor
again
your lips slacken
your eyes turn
to the window
again
the blossoms
i had brought in
fresh
from the garden
fall
withered
from the nightstand
Copyright © 1988 – 2006 by Richard Bryant
Reinertson
All rights reserved.
e t h e r n e t g a r d e n t o u r
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dark road
how fragile it all is
how easily it slips away—
the patiently accumulated detritus
of uninspired diligence—
a
cheap lamp that gleamed
when the furniture was formica
rows of records collected
when life was all potential
and on the table
an empty bottle of 12-year-old cabernet sauvignon
these solid walls
dissolve in a backward glance
to that dark road, years ago
aching under a crisp moon
hiking toward mountains
80 miles distant
I
swallowed that black sky—
it’s with me now
in the shadows between sofa cushions
stacked on the bookshelves
pressing in at the windows behind the blinds
there’s no talk of redemption here—
we teeter on the edge of a precipice
and keep eternity from the door
with a 60-watt light bulb
Copyright © 1990 – 2006 by Richard Bryant
Reinertson
All rights reserved.
t o p o f p a g
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nothing
for Kristine
i thought
in the
beginning
that there was
something
even now
thinking back
it seems
that there
was, or was it
all along a
balloon
without even
air
bright &
colorful &
limp &
useless—but i remember
smiles &
laughs & repartee &
confidences &
you used
to seek my
company & conversation
as in our last
class, sitting
on the stage
steps
with me, i was
very happy
then & i
remember
your bright
smile
behind the
glass as you passed
by the
cafeteria but now at,
it seems, the
end
it’s all like
the first time
you stood me
up, as if
the whole
thing never really
mattered much
in the first
place, taking
it or mostly
leaving it
just leaves
me so empty &
after so much
pain &
confusion & emotion it
seems such an
anticlimactic
whisper of an
apparent end but
then that pain
put so much distance
between the
fun & the present i guess
i shouldn’t be
surprised
we started it
seems with
something &
took it all
away bit by
bit until
all that’s
left is
nothing but i
can’t help
wishing
sometimes—do you
wish at all?
or is it really
and always has
been just
nothing all
along?
Copyright © 1990 – 2006 by Richard Bryant
Reinertson
All rights reserved.
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my favorite look
for Kristine
was the one you gave
me
when i was feeling
stupid and unloved
across the tables
amid many people
avoiding your gaze
but you caught me
anyway—
how could i avoid
that look?
with such insistent
compassion
you locked my eyes
to yours
until you knew i
knew
you felt my pain and
wished it gone
if the love of jesus
proves
too little payment
for my soul
that look will be my
justification
once, i'll say, when
i was yet
a sinner, you found
me worthy
to enter your soul's
inner sanctum
Copyright © 1990 – 2006 by Richard Bryant Reinertson
All
rights reserved.
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A Long
Fermentation
for Kristine
So much was unsaid.
Last winter
was a long
fermentation—
you isolated in
work, and I
in pain. Every
drop
of sunlight was a
laborious
extraction. I
died
almost daily, and
you
were a steady arctic
wind.
Did you ever burn?
I finally did, when
pain
grew larger than
will.
It must have
surprised you.
The memory of fear
in your eyes blazes
in my conscience,
damnation.
It's better
after the bottle is
uncorked—
can you agree?
Last month
I sipped you
with lunch, like
fine zinfandel.
Sunlight was
everywhere, the breeze
unseasonably warm.
Words flowed
like a spring thaw,
and your eyes were
welcoming
tropical pools.
Copyright © 1991-2005 by Richard
Bryant Reinertson
All rights reserved.
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This is for You
for Patricia
Wind—a warm
spring day
flushes
your fair
cheeks—this is
for you. Let
sundrops
fall—your eyes
shine
upon me. We
blow
together from
so long
ago—warm/cool,
intertwining
in braided
currents, your hair
floating upon
my
breezes,
warming again to touch
in fluttering
intimacies—your dress
flying
freely—fly
to me,
precious
sparrow—blush
beneath my
fingers, soft
as
grass swirling
around us.
This
is for you,
sweet
sister of my
soul. I am
the wind, with
you,
blowing,
breathing within
you within me
within you.
Copyright © 1991 – 2006 by
Richard Bryant Reinertson
All rights reserved.
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A Brief
Explanation
for Patricia
I'm writing
you this
poem
because I
want to tell
you how
I feel.
I call
you often and
converse for
hours
because it's
so good to
talk
to you.
I close
our conversation and
my letters with
endearments
because I
love you so
dearly.
I hope
this
clarifies
everything.
Copyright © 1991 – 2006 by Richard Bryant
Reinertson
All rights reserved.
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poetry & life
How dare you
lie there
sleeping
while I read
poetry?
How dare you lie
there? so
dark-haired on pale
cotton, lashes
hiding
your eyes, your
light
from my wordless
interrogation,
breasts pressed
against
the mattress, and
only
buttocks free
to entertain
my lingering
not overly
literary-minded
ruminations
as I finger
the widely spread
pages
connecting only
airily, as with
a cobweb
shroud, while life
sleeps
beside me,
withholding
the poetry
of your lips
and tongue
Copyright © 2003 – 2006 by Richard Bryant
Reinertson
All rights reserved.
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